Tuesday, August 5, 2014

Plains Wandering in Deniliquin - Part One

As I mentioned in my last post, I recently joined a gathering of bird-photographers in the small NSW town of Deniliquin.

Before I get to that though, a couple of updates from Canberra - the Australasian Bittern I wrote about last time attracted a lot of attention, including some more from me. I made another trip out to the pond to try and relocate it a few days later, and was successful not only in finding it but in getting a photograph! (Albeit a distant and grainy one).


Australasian Bittern

The photo seemed to be the tipping point for Ashwin, Josh, Max and Nathan, who took a road trip down from Sydney the following day. They cruised past my house (and didn't pick me up) in their haste to see the bird, and then they dipped on it.

"There's nothing in that pond", they said. "Canberra's terrible for birding!", they said.

And as if to prove their point, they stopped at Rowes Lagoon near Collector, NSW, on their way home and flushed several Australasian Bitterns.

I felt somewhat put out that they were dissing my city (without even having dropped by to see me on their way), so I was immensely pleased when two hours later, a report came through the COG chatline of a male Australian Little Bittern at the same pond where the Sydney Siders had spent the whole morning.

Being the gentleman that I am, I immediately put on my smug face, and spent some time laughing down the phone at them.

As soon as I hung up though, I knew that I'd need to see the Little Bittern, or I'd be even more of a joke than them. So I gathered Stanley Tang (who happened to be in Sydney for the month), and together we hit up the pond.

Stanley's bus arrived at half past one, meaning we got to the site at 2pm. His bus home was at 5pm, meaning we had to leave the site at 4.30pm, a window of just 2.5 hours. We searched, and then we waited, for two hours.

Disappointed, we were taking a break from scanning the reedbeds when my mother, who was doing a lap of the pond, flushed a tiny bird with big yellow wing patches from the tiniest, most isolated clump of reeds in the whole pond - where we hadn't even thought to look, considering the (comparatively) huge reedbed on the far side.

We saw it land in the dense reeds on the far side of the pond, and we rushed over in the vague hope of getting another fleeting view of the bird.

When we arrived, we had to wait an agonizing almost-half-a-second to see it - sitting halfway up a reed stem, right out in the open, not 5m away from us. It stayed there obligingly, climbing slowly up the reed for almost a minute, before making a short flight to the center of the reedbed.

Australian Little (Black-backed) Bittern

So that made two bitterns in just one week - and as you'll read in the next post, that would be significant.

Anyway, back to the Deniliquin campout.

The trip was planned as a meet-up for the members of the fantastic Feathers and Photos forum, one of the (if not the very) best Australian bird photography forums.

The trip had been in planning for some time - at the start, I think it was Josh and David Stowe's idea. Unfortunately, Josh soon had to pull out, due to his parents insisting he attend a party for a cousin's 21st. While it was nice for his cousin, it was a bit inconvenient for Simon and myself, as Josh was going to be our lift out to Deni. Scrambling to rearrange, we both happened to ask David, his being the only other car passing vaguely in my direction.

He very kindly agreed to take me (and Simon), and not only that, he offered to try and borrow a Canon 600mm lens for me to use during the trip!!

Astounded by this generosity, I joined forces with David, Simon, and forum member Fatih Sam on a chilly (for my standards, Simon complained at length about how freezing it was - the cons of living by the coast!) Friday morning (the 27th of June), and set off.

I really enjoy road trips, even more so if birding is involved. fleeting views of birds from the vehicle, often followed by swift ID arguments ensure the hours in the car are never boring. Before long, we'd had a slightly-too-close encounter with a pair of Crimson Rosellas, and seen various raptors and a large flock of starlings.

Simon keeping the trip-list

Just before I go on, essentially all the short-range (basically all the non-bird photos) were taken with my phone, so apologies for that.

Eventually we we pulled into Wagga Wagga - and just before we reached the township, we noticed a big, wheeling flock of birds in the distance. Quickly, we pulled off down a small side-road and managed to get underneath them.

They turned out to be feral pigeons, forming an aerial bait-ball in reaction to the attentions of a pair of Peregrine Falcons. The falcons were directly above us as we pulled up, but as we tumbled out of the car, they disappeared, and the pigeons settled in a nearby eucalypt.

Even though we didn't get to photograph the falcons, the stop did give me the chance to take first-looks at the monstrous 600mm in Dave's hands. And also discover that the lens hood screw was slightly broken.

Having passed through Wagga, we pulled over again to look at some Black-faced Woodswallows (a lifer for Simon), and as we did so we noticed a pale white bird perched on the fence wires. "Is that a &$^#%* Ground Cuckoo Shrike!?" I exclaimed, forgetting myself in excitement.

Ground Cuckoo-shrike

It was, as it turned out, a Ground Cuckoo-shrike. And soon, 5 more flew down the fenceline towards it.

This was my second sighting of GCS, the first being a very flighty pair north of Alice Springs last February. Compared to those birds, which barely let us within 50m, these were amazingly tame, allowing us within just 20m or so.

The Black-faced Woodswallows were nice, too.

Black-faced Woodswallows

A lone Emu seen wandering the paddocks near the Cuckoo-shrike spot

We continued on our way, and eventually arrived at the campsite in the bustling metropolis of Deniliquin. We spent half an hour greeting other F&P members, and erecting the Emperor of Tents that David had brought for the three of us to share. It was enormous - three rooms, and Simon and I fit comfortably in one of them. To give you some idea, both of us are over 6 foot (Simon considerably so), and it wasn't cramped in the slightest.

The Campground

With the tent set up, and most of the F&P members assembled (Including one of the Melbournian members of Australian Young Birders, Owen Lishmund, who Simon and I knew from Facebook but had never met), we set off on a walk down the river beside the camp.

Sunset over the river

Pausing to enjoy brief views of an Azure Kingfisher flitting around in the dead branches on the bank, we explored the area of woodland bordering the river. Striated Thornbills, Weebills, White-plumed Honeyeaters and Buff-rumped Thornbills put in appearances, along with numerous Brown and White-throated Treecreepers. A pair of Little Eagles overhead kept us looking up, as well as several Whistling Kites.
Despite these interesting passerines (and non passerines), the attention of the group was primarily drawn by a beautiful trio of Australian Pelicans, which sat high on a dead branch in the gorgeous evening light.

Pelicans trying to dissuade a new bird from landing on their perch

...And failing.

This led to an argument with the newcomer...

...Which soon led to an all-out brawl.

Away from the rest, these two enjoyed the last rays of the setting sun.

Dispute over.

This was my first taste of using the *rather* stunning Canon EF 600mm f4 L IS II lens. Compared to my little 100-400mm, this thing was a monster, weighing about 3 times as much as my normal set up, and lifted to my eye, extending about 60cm off my face. Just to give you an idea of how massive it is, here's a shot of Owen holding it:

 

Handling the weight was a serious learning curve, and I'm amazed I got any shots at all on the first evening!! This was my view down the viewfinder...


We stayed with the Pelicans until the sun set, before retiring for our first night camping.

The next morning, we were treated to another huge gesture of generosity. Phillip Maher, who we had organized to take us on a Plains Wanderer tour that evening, offered to take our group out birding during the day as well. We started the morning in a stretch of eucalypt and low saltbush beside a road, somewhere near Deniliquin. I should apologize, at this point, as I'm terrible with directions and I honestly have no idea where we were for quite a lot of the trip!

We spent a few hours at this spot, chasing the many Superb Parrots (a lifer for many), Grey-crowned Babblers, Bluebonnets, Spotted and Striated Pardalotes, and numerous other birds.

Upside-down male Superb Parrot

After a while, we crossed the road into an area of revegetation, which I think Phil was managing. We followed the calls of White-winged Fairy Wrens to a small clump of saltbush, and managed very quick views of them, and slightly better views of a male Variegated Fairy-wren.

Feathers and Photos members on the hunt 

Owen, who seemed a bit distracted, suddenly shouted MAJOR MITCHELLS!!!!! Following his finger, I could make out two specks of white in the distance, and on inspection of photos a few seconds later, they were indeed Major Mitchell Cockatoos. The rest of the group weren't in quite such a rush as us, having all seen Majors before, but they were lifers for Simon and Owen - so we jumped the fence, and sprinted back across the grass flats towards the area we had been in previously.

Unfortunately, though we searched for some time, the Majors had well and truly disappeared by the time we arrived. Even more unfortunately for Owen, who copped a piece of wire to the shin whilst running. As we paused to catch our breath, Fatih (who had sneakily wandered off from the group a while beforehand) emerged from the trees in front of us, and calmly remarked that he got good views of the Majors as they flew past.

Eventually the others caught up to us, and we were treated to very nice views of the usually-flighty Bluebonnets, before we got back on the road.

Simon getting his first taste of lens envy

A few minutes later, we had to make a stop for a stunning (and very tame!) Brown Falcon, perched on a fencepost by the roadside. He switched fenceposts a couple of times while we took turns photographing him from the car, but in general he was very settled, and allowed us to get very close.




The next site Phil took us to was a narrow laneway, bordered on either side by flowering eucalyptus of some description. While not as productive as the last spot, we all got decent views of Striped and White-plumed Honeyeaters, among the usual suspects. a Jezebel butterfly with what appear to be its pupae also drew some attention.

Jezebel

Being mid-afternoon by this stage, we made one final stop before returning to camp - the local rubbish tip. Black Kites, Whistling Kites, and a few Black Falcons swarmed over the piles of rubbish, picking off scraps to eat in the air (or hunting the other birds in the case of the falcons). Many Australian White Ibis, a single Restless Flycatcher and Welcome Swallows were also present.

We headed back to camp to prepare for what we hoped would be an epic evening.

Lunchtime!

As we were sitting in the tent eating lunch (and avoiding a small patch of rain that happened to be drifting over), we were discussing the camera gear of choice for the night. Simon opted to stick with his point-and-shoot, Owen with his Pentax and Sigma 150-500, me with the 7D and 600 - and then Dave chimed in, saying he was planning to use his 5D mark III with the 200-400mm lens he borrowed from Canon for the trip.

Slightly surprised, I wasted no time in cheekily asking whether I could borrow his 1D X for the evening, if he was using the 5D3. To my amazement, he said yes!!!

This turned out to be fantastic news for Owen as well as myself - with Dave using the 200-400, his 500mm (mark 1) had been free - but Owen had been unable to ask to borrow it, as his body was Pentax and not compatible. With my 7D thus freed up, Dave offered him the 500mm. As we left the tent to pack the car, the grins on our faces had to be seen to be believed.

Phil met us at the campsite in the evening, and it was with great anticipation that we set out. On the way out to the private property he was taking us to, out on the Hay Plain, we were able to enjoy an absolutely stunning sunset (of which I sadly have no photographs, as I was equipped only with a long lens). The habitat of the plain is just that - it's a plain. There is little to no vegetation more than 40cm high, so the whole place is very flat: perfect for sunset viewing. A quick stop at a Banded Lapwing nesting site brought me my first lifer of the trip, and watching the young chicks bumble along after the parents was certainly a trip highlight.

Adult Banded Lapwing

A pair of Wedge-tailed Eagles circled in the distance as we reached our starting point, and we waited eagerly for dark.

In the interests of preparing any future visitors to the area who happen to be reading this, we were eager to get going for two reasons: Firstly, obviously, because we were super psyched for some Plains Wanderer action. But secondly (and at that point in the evening, primarily) because it was *&%(&^ freezing. Bitterly cold. If hell were to freeze over, it probably wouldn't take cold much colder than that.

Okay maybe that's an exaggeration.

Whatever, it was very, very, very cold, and the lack of windbreaks didn't help. Although Phil was with us, he was reluctant to begin the tour without the presence of the property owner, who was running late. The rest of us huddled in the cars, watching the last specks of sunlight disappear from the enormous sky.

Eventually, after a phone conversation with the property owner, Phil set out. Falling into line alongside his car, the rest of us (two other cars) began scanning the plains with our spotlights, looking for movement among the short grass.

Ready to go!

And in no time at all, boom! A male Plains Wanderer was ducking and weaving in the beam of Phil's headlights!

We were all extremely excited, and gathered round him (he had calmed down, to the point of being very obliging for photographs). I was torn between admiring the stout little guy, and admiring the sheer beauty of the 1D X. It functioned like a dream in my hands, almost with a mind of its own - although it felt VERY weird (coming from a 7D) being able to crank the ISO up to 1600 with no negative effects in terms of noise.

Back to the Wanderer though. Before, I used the word 'stout' to describe him, and I think that's the perfect word for the male PW. Plainsies are very plover-like, showing their close relation to the wader family in their behaviour and jizz. They run very upright,  standing tall at intervals to peer indignantly at you - a pose I managed to fluke a shot of. I definitely got clearer shots of him after he moved into the open, but the head-on stare is my favourite, it really carries a sense of what these little lads are like.

Male Plains Wanderer, giving the camera the death-stare

A slightly less dignified pose

Reluctantly, we left him to his nightly business, and continued on our search. Soon, we stopped again - this time for a non-bird.

The Fat-tailed Dunnart is one of the most adorable Dasyurus marsupials I've had the pleasure of meeting. We spotted him easily, despite his tiny size, thanks to his escape method of taking enormous leaps across the open plain towards the nearest saltbush. We managed to catch up with him (they can go extremely fast!!) just before he reached his hiding place. Noticing our presence, he took about a minute of rest cowering in some low vegetation, giving us just enough time for a couple of shots, before taking off again and clambering into his bushy safe haven.

Fat-tailed Dunnart
 

And so we continued across the frigid plains. It was now my turn to stand in the backseat, half inside the car, half sticking out the sunroof, to spotlight. And it. Was. Cold. Yes. I'm a wuss.

Luckily it paid off though. Within a short period of time, we had both male and female Stubble Quail in the spotlight. Considering how hard these are to see well in the day, it was a pleasure to be able to approach them quite closely at night, and get decent photographs. In the case of the male, it was just a little too close. Having frozen in the spotlight beam, he suddenly found himself at the center of a semi-circle of big lenses. He started walking in circles (just to be clear, we did leave him ample space to walk away from us), and appeared quite disorientated. He furthered this impression by walking straight towards me.

Male Stubble Quail

As he approached too close for the 600mm to focus, I took it down from my eye to watch him, wondering how close he would come.

At a meter, he was showing no signs of stopping.

At 60cm, I said "Hey!"

At 30cm, I said "Oi, Watch out!"

Clearly he wasn't listening though, because a second later he walked facefirst into my knee. He stumbled backwards with a somewhat surprised expression, shook his head, walked around me, and took off into the night.

The next half hour was similar. We found another Fat-tailed Dunnart, and another (possibly the same) male Plains Wanderer, an opportunity we took to get some slightly clearer shots.

More male Plains Wanderers

As we piled back into the cars, Phil set off only to immediately slam on the brakes - a second Plains Wanderer had been lurking just outside the spotlight beam, and this time it was the female!!

Plains Wanderers are a curious species. They look like Quail (a tiny bit), have the sexual dimorphism and breeding behaviour of Button-quail, and are most closely related to waders (I remember reading somewhere that they're closest relatives are South American Seed-snipe, but I've no idea if that's true). Anyway, the female is the larger and more spectacular of the pair - and this girl did not disappoint.

The stunning female Plains Wanderer

Unfortunately, realising that she'd been spotted, she bolted for the nearest clump of grass, and tucked herself down at the base of it, making good photos all but impossible. After a few minutes, she started to regain some of her nerve, and poked her head out. A few minutes more, and she was happily standing to one side of the clump, allowing for some really nice - "my flash just died", said Owen from somewhere in the dark to my left.

It was actually my 430ex II flash, which I'd left on the 7D for him to use - so I immediately swapped him the 580ex flash that Dave had lent me, and carried on flashless for a while.

In a way, I'm really glad I did - because with the 1D X's amazing low-light capability, I was able to take some shots without any flash at all, and I think they're among the best I took of the female.

Female Plains Wanderer - spotlight only, no flash

Satisfied, most of the group started to head back to the cars. Dave, Fatih and I stayed on for a few minutes longer, Dave hoping to capture some video footage now that there were suddenly 15 less people around. The female relaxed, and eventually moved right out into the open, allowing for some really awesome shots before we left her to it.




Ecstatic, we headed out to a different part of the property to look for some other species, namely Inland Dotterel, which had been recorded relatively recently at the site. Unfortunately, despite an hour's driving around, we dipped on them. It was sort of made up for though with a beautiful pair of Tawny Frogmouths (roosting at night!), a Brush-tailed Possum, and another Fat-tailed Dunnart - which proceeded to chase me for 50m across the plains. I can now add "chased by Dunnart" to my list of life achievements, right next to "headbutted by Quail".

Tawny Frogmouths

Tired, chuffed, and some of us with very cold hands (from holding the spotlight out the window), we started the journey back to camp.

As we lined up to pay and thank Phil and his wife Patricia for their excellent guidance, we were treated to yet another pleasure - "Shall I meet you here in the morning?" enquired Phil.

-------

This has already become an essay,  so I'll end it there for now. Part Two coming shortly (I promise!!)

Julian.


Monday, June 9, 2014

Twitch Updates!

Geez, it's been about two months since I last posted. Doesn't feel like that long!

A couple of interesting things have happened since then.

A few weeks ago, reports started coming in of Regent Honeyeaters at the Chiltern Trail in Ingleside, on the northern beaches of Sydney. It didn't take me long to decide I wanted to go - much like the Buff-breasted Sandpiper, I made up my mind and booked my ticket the night before!

So I caught a bus up to Sydney, and as usual, I connected with Simon outside Central Station. From there, we headed up to Ingleside.

Max, Josh, Ashwin, Henry, and my newish young-birder friend Jayden had all seen the birds either that morning or the morning before - so with high hopes, we set off down the trail, noting a Little Eagle above us.

The Chiltern Trail is a brilliant one for honeyeaters - a mixed heath and eucalypt/banksia woodland blend, we saw a heap of species just within the first few minutes. Scarlet, Fuscous, Yellow-faced, New Holland, White-cheeked, White-eared, White-naped, White-plumed, Eastern Spinebill, Red and Little Wattlebirds, and Noisy Friarbird. But those weren't the ones we were there to see!

We wandered up and down the trail for a short while, until we decided to split up to maximise our chances of finding the elusive Regents.

Almost as soon as I started walking away from Simon, he yelled "REGENT!!" and I had to come running back up the path. I got a very brief view, and then it was gone.

Stoked to have seen it, but disappointed at the brevity of the view, we continued to search - and eventually, we were rewarded with reasonably good views of two birds. They stayed up in the canopy for the most part, but for a few seconds, one landed on an open branch allowing for (very dark, it was in shadow) pictures.

Regent Honeyeater, Chiltern Trail, Ingleside

We finished up, and headed back to Central (via Warriewood Wetlands/Irrawong Reserve for a quick shot at Noisy Pitta, which we heard but didn't see) in time for my 6.00pm bus home.

Just as an update, Stanley Tang and Henry Coleman got the Regents again today, and I think they were in the same place.

A few days later, Simon landed a big one - Noisy Pitta at Sydney Olympic Park, a very unusual occurrence, and one which drew lots of people. Just as well it was so accommodating with allowing itself to be viewed!! I'm super jealous of him. Or I was. Until today.

Today, I had just about finished a long and productive day of doing nothing (instead of revising for my mathematics exam next week) when my email alert went off at 4.08pm. Sadly I wasn't around to see it then, but when I got onto the computer half an hour later, I discovered an Australasian Bittern had been seen at Giralang Pond, not ten minutes from home!!

Begin an anxious hour of trying to convince dad that it was worthwhile going.

Eventually he obliged, and with just 20 minutes of light left in the sky, we set off. We arrived, and I began to search the reedbeds with my scope, hoping against hope that the bittern would be in view.

After five minutes and a quick saunter up and down the bank, nothing.

After 9 minutes, whoosh! As I was walking along the edge of the reeds, a big, dark, stilt-legged, hunch-backed, streaky shape erupted from the reeds just 5 meters or so from me. It did a lap of the pond as I stared at it in awe, and then flew off down the creekline with 4 magpies in hot pursuit.

I snapped myself out of my daze and ran down the bicycle path, following it. I left the path and walked through the long grass towards the thin line of reeds marking the creek, guessing the Bittern would perch among the reeds rather than in the grass. I was right, although again the bird was one step ahead of me, flushing some 30-40m away. It flew across the road, into a small park-style pond, where I was unable to locate it in the denser reeds.

It was almost completely dark, so I left the bird to it and returned to the car - two Bittern species in two years, both in the ACT, both less than 40 minutes from my house!! (The other was the Little Bittern that payed a surprise visit to Jerrabomberra Wetlands around August 2012). I am so pumped!!

Hopefully this will be enough to tide anyone reading over until the next installment of posts - I will be heading down to Deniliquin with Simon, Nathan Ruser, and David Stowe at the end of June, immediately followed by a Brisbane trip for an avicultural convention and some birding with Stanley Tang!! There should be some good posts to come!

And of course, Simon has yet to post his report from his trip to South-western Western Australia - HINT HINT NUDGE NUDGE, SIMON.

Julian :D

Sunday, April 20, 2014

Almost Birding

It's been ages since we last posted - year 11 has been a strain on both of us! It's my first year ever at school (formerly home educated) so I've been spending 99.9% of my birding time just trying to keep up.
Even though I haven't been able to bird, I have had a bit of time to do my next favourite thing - draw.

After posting a couple of my recent drawings to the Next Generation Birders facebook page (a mainly British but worldwide group of young birders, of which I am one of the few Australian representatives) I've had a couple of questions about how exactly I do it. So this post will be a sort of step-by-step one about my drawing and graphic art! Bird drawings, of course...

The drawing I'm going to use for this post is of a female Purple-throated Mountain Gem, a hummingbird from Costa Rica. Usually what I do when I start a drawing is have a peek around the internet for interesting photographs to copy on paper. I chose this photograph from Deep Green Photography: 
http://deepgreenphotography.photoshelter.com/gallery-image/flying-jewels/G0000wXp39SZr7f8/I00004yklf0tIzzc/C0000xHY18MjZBKI

This isn't my best drawing, but it's the only one I remembered to take screen captures of as I made it!

Just before I start, I am in no way an artist, I don't even take art at school - it's just something I do in my spare time, for fun :).

Materials used:
  • A sheet of A4 blank paper
  • Two sharp 2B pencils (never use HB. Ever. Don't do it. Just don't.)
  • Eraser and pencil sharpener
  • Scanner
  • Adobe Photoshop CS6 (I imagine any version of PS could be used, or any number of other programs)
  • Grab (for screenshots)
Okay!
The first thing I do when I see a photo I like is sketch it on paper. I use a super-sharpened 2B pencil on ordinary A4 paper (the biggest our scanner can take). The paper quality doesn't really count for much, because I won't be needing it by a third of the way through the process.
I do all my sketches freehand, otherwise it feels like cheating! And I suspect it might bring up some copyright issues...
I tend to put a fair amount of detail into the sketches, but it isn't really necessary. Just basic outlines and indications of the coloured areas will do.

Here's my finished sketch, scanned into the computer and opened in Photoshop CS6:



 Photoshop is where I'll be doing the majority of my work on the drawing.

The next step is to create a new layer in Photoshop, then carefully use the paintbrush to draw in the lines, following the ones you drew on the paper. I usually use a size 2 brush at 100% hardness and opacity.
It can be quite a painstaking process, but it ends up well worth doing right the first time.


Here's the drawing with the lines added, as you can see the painted lines are superimposed over the drawn ones. It's important you do this in a new layer, otherwise when you go to modify the background, it will affect your lines.

The next thing I do is create a background for the drawing. Using a mixture of colours (greens, in this case) and the Gaussian blur filter, you can create an artificial bokeh similar to that created with a camera.


Use the eyedropper tool to choose colours from the original image if you get stuck picking the ones you need. Essentially, put splodges of light and dark colours where you want them to end up in the finished picture. In the above screenshot, you can see the splodges I've used, and here...:


... what happens when the Gaussian blur filter is applied. Just be aware, saving this file as a Jpeg later on will result in some ripple-like marks on the background caused by file compression - saving as a screenshot solves the problem, but you can't get the same size (in pixels). I haven't found a way to counteract or circumnavigate the problem yet.

So now we're done with the background, we can move onto the actual drawing.

It's important from here on in to make sure you do each "thing" in a new layer - it can save so much time and heartbreak if you stuff up. For example, I made a new layer for "stem", "leaves", "flower", and then various layers for different parts of the bird. Deleting a layer and starting over from there is so, so, so much easier than having to start the whole thing again from scratch.

So, the next layer. I started with the simplest bit of the picture - the stem of the plant. Simple dark brown and darker brown (close to black), painting using a fairly thick brush to make a simple two-toned colouring. Darker on the bottom obviously, as it's the shadow. I then use the "smudge" tool to meld the two colours together. I love the smudge tool.

When you're painting shapes (especially small ones), the magnetic lasso tool is awesome. Just click, and select the bit you want - tidy it up using the ordinary lasso if you need to.

When painting shadows, you have to use your imagination a bit - decide where the light(s) are coming from, then figure out where the shadows will be.


 Here it is after painting and smudging.

Next, leaves! Essentially when I'm painting, I just do the smallest and simplest bits first, and leave the really complicated stuff for later. I make a lot of mistakes, and if I do complicated things first, then undoing them all is impossible... not fun. Don't be afraid to just forget the rest of the drawing, zoom right in, and focus all your attention on the bit you're working on.

For the leaves, fairly bright colours to make them stand out a bit from the background, but not so bright as to seem unnatural. In this drawing, the lights are coming mainly from straight ahead (camera flash) and a little from above, so making leaves facing the 'camera' slightly paler helps add to that effect.

Start with a green in the middle of the light and dark colours you intend to use for patches of light and shadow, and colour the whole leaf in. Then trace the edges with the lights and darks, before smudging it all together. Doing this before adding any markings (like veins) on the leaves can be helpful.


The first few leaves...


...And the rest. Just remember to keep selecting the new leaf you're working on with the lasso tool, otherwise things get stupidly messy. I did all the leaves in one layer, but feel free to make a new layer for each leaf - the more layers, the safer you are against accidents.


Now to start on the flower. Basic colour (red) to start with.


Then branch out using pinks, darker reds, and even yellows (on very low opacity) to bring some "life" into the flower, and some more natural looking shadows and highlights.


At this point, I made a new layer, and started on the front of the bird, using the lasso to select a portion of the front. When working on birds, I usually create new layers based on colours - so the layer I'm working on here would include all the tan areas of the birds plumage. It might be the same for another layer containing all the green bits, or all the red bits, etc. etc. etc.

Using the eyedropper tool to collect a few colours from the photograph, then modifying the choices (moving the selector around on the colour field) to better match my own version, I made a mix of tans/fawns and browns. I started off colouring the whole bird in the palest of the colours you can see above, then worked in the shadows along the bird's belly. The shadow of the wing was done using black on very low opacity to create a better looking shadow. Again, for the main shadow on the belly, smudge is your friend! To look natural, you want the shadow of the wing to be clearly defined, so only add it in after you're done smudging everything else.


Feather texture is something I'm still working on. At the moment, I'm working with "add noise" then "motion blur" under filters to create the streaky effect of feathers in sharp focus. Here's what I do:
Above you can see an simple area of colour, the dark area around the eye, smudged into the way I want it to look.


Using the "add noise" filter, I adjust it to the maximum amount of noise I can use without the end result being too heavily distorted. It differs for every drawing, so have a play around. 


Then, use the "motion blur" filter to make the noise streaky. You can adjust the direction of the motion blur, so I adjusted it to match the general lie of the feathers on the bird's body. Sadly, you can't do squiggly lines (which would add more realism to the drawing), but I've made do.


 So now that we've done that, we can move onto the other sections of the bird, creating a new layer, selecting, colouring, shading, adding texture. You can start to see the bird "appear" off the background, which is always nice!


When you've finished with texture, if the section is fully enclosed by other coloured sections, you can take the next step and add some "fraying" to the edges - neat lines are rare in nature, so making the edges of sections look a little frayed or spiky can help out a lot in the big picture (pun sort of intended). I say only do this where the section is fully enclosed, because if you fray out onto undeveloped sections, it just makes selecting that section for development later a pain.

Eyes and catchlights can be tricky. Thankfully this one was fairly easy. Being a fairly small eye, just a simple black circle and tiny white dot did the trick - if I was doing a head study or a larger picture, I'd need to put more work into it. I also included a size-1 line of white paint around the eye, just to help it maintain its definite shape in its dark surroundings.


Now we can take a step back, zoom out, and assess how we're going. Overall, so far, pleased with the results, and plenty more work to go. Go and have a drink, give yourself a break, go birding, then press on.


The next stage - the back. Keeping the "lines" layer in front of the new layer you make for the back helps when visualizing the patterns that will go on later. The normal selecting, paining, shading, and smudging for this bit.

 
Making a start on the iridescent feathers on the head: for this, I just used dots of colour, then used pale and dark versions of that colour to edge it, then smudged it all together. This seems to work well for me. I used dark blue and bright green to emulate the photograph.

The tail was nice and simple, I just used basic browns and smudged away.

Leaving the 'back-bling' for now, and moving onto the browns on the wing, this should all be getting pretty standard procedure by now.


Colour... smudge... noise... blur... *yawn*




Adding slightly stronger lines of brown for the feather margins




Once the wings are done, the moment of truth - take the eraser, and go and take out the outlines of the bird from the lines layer. Hopefully the shape stays the same!! 


You can then smudge the outlines a bit, so they don't look quite so artificial. I also coloured the feet.


Now for some more interesting stuff - the colours on the back. Here the challenge is to make each of the feathers distinguishable from the rest, so lots of dark and pale edging used here. Adding a little more dark to the belly also helped with the natural look.


At this point, I realised that I'd forgotten a bit of the flower - oops. I touched that up here.


Last looks.... one head? check, two wings, beak? check...


And the finished product!
Overall, I'm pretty happy with this. Looking back, I probably should have left more gaps between the coloured feathers on the rump, but I don't think it's that bad.

This is all just for fun, I'm not looking to make masterpieces, so I called it quits at this point. There's probably a few more things I could/should have done, but after about 20 hours all up, I was getting a bit tired of it! :P

All suggestions, comments, suggestions for a next drawing, welcome!!

Until I can actually go birding....
Julian